![]() ![]() His pathological inability not to save the day and do the right thing drives this all-timer action scene - a landmark moment for summer movies and comic book films. Raimi’s deft handling of this extraordinary set piece never loses sight of the fact that Peter is just an ordinary guy at heart who doesn’t want to see bad things happen to good people. The latter proves extra challenging when Spidey must find a way to stop the runaway train before it runs out of track. The CG here, for the most part, still holds up, as Spidey is forced into a battle to stop Doc Ock and save the passengers inside the car. That struggle puts him in the path of Doctor Octopus ( Alfred Molina) and his almost sentient metal tentacles, as the two eventually trade punches along the sides and atop of a speeding NYC train car. Sam Raimi’s Spider-Man 2 is one of the best sequels ever made, a Marvel blockbuster that’s equal parts character drama and tragedy as Peter Parker ( Tobey Maguire) continues to struggle with finding a balance between being himself and being a hero. Throughout the entire action scene, it’s non-stop, white-kunckle tension - a high point for Fox’s X-Men movies. She’s a goner - until Nightcrawler “bamfs” in for a mid-air rescue. ![]() All of this goes down at 30,000 feet, which leads to the sequence’s most harrowing moment yet: After evading the F-15s, but not before enduring some battle damage to the X-Jet, our mutant heroes are helpless as Rogue gets sucked out of a hull breach. If the military aircraft doesn’t kill them, the out-of-control tornados Storm summons to deal with those planes just might. Storm ( Halle Berry), Jean Grey ( Famke Jansen), Rogue ( Anna Paquin), and Nightcrawler ( Alan Cumming) are forced to deploy their unique power sets as Storm pilots the jet away from F-15s in pursuit. ![]() The textbook example of this is X2’s riveting second act set piece aboard and outside the X-Jet in mid-flight. Your hero or heroes are caught in a cycle of mini-victories followed by increasingly complicated setbacks - and it all (hopefully) culminates into one big finish. Great action scenes are often made up of a rapid series of "good news, bad news" moments. ![]()
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